The video reflects on the looking at, that the Asmat ancestral sculpture has experienced in an office space in Berlin. It questions the naming from an etic perspective and is a thought play on what it would mean if the sculpture from Papua had subjective attributes. Would it be capable of looking back and going its own way?
The video reflects on the looking at, that the Asmat ancestral sculpture has experienced in an office space in Berlin. It questions the naming from an etic perspective and is a thought play on what it would mean if the sculpture from Papua had subjective attributes. Would it be capable of looking back and going its own way?